Volume 4, Number 1, February 2024
Memory: Sites, Trauma and Materiality, Memoria: Trauma, Sitios y Materialidad
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Article: Montserrat (a phono-archaeology)
…allergic, accessed September 2020, https://hyperallergic.com/587213/the-artistic-world-of-the-taino-people/. 18. Definition taken from the “Oxford English Dictionary,”, Oxford University Press, accessed October 2020, https://www.oed.com/dictionary/ hurricane_n?tab=meaning_and_use#1173882. Bibliography Boix, Maur M. What is Montserrat: A Mountain, a Sanctuary, a Monastery, a Spiritual Community. Montserrat, Cataluña: Publicacions de…
Article: Nature and Memory: accounts from sons and daughters of disappeared parents whose bodies were identified and restituted
…dition that can be traced from the Mexican Day of the Dead to magic realism, involving integration of the dead into daily life, endowing them with new depth that amplifies their existence. Conclusions Thus, nature as topos becomes a common place to meet with ancestors, enabling them to acquire agency and affect the daily lives of their sons and daughters through their presence. The different elements in these stories (fire, water, air through…
Article: Global Memoryscapes & the Plague: AIDS, Mnemonic Worldmaking, and the Transnational Archive
…urnal of International and Intercultural Communication 9, no. 3 (2016): 217. 14. United States Holocaust Memorial Museum, World Memory Project: https:// www.ushmm.org/online/world-memory-project/ 15. theaidsmemorial: https://www.instagram.com/theaidsmemorial/ 16. “Interview with Noerine Kaleeba,” Age of AIDS (Frontline, 2006): https://www. pbs.org/wgbh/pages/frontline/aids/interviews/kaleeba.html 17. Stephen P. Marks, “Jonathan Mann’s…
Article: Artificial Memory?
…While the towering figures in Richard Taylor’s “The Scale of Our War” raised concerns for me, Kinfolk’s even more towering figure of revolutionary Toussaint Louverture fills me with a sense of hope. (see images here: https://www. guernicamag.com/a-monumental-shift/) The notion of spectacle has long been a complicated one in western culture. Plato was concerned about the reliance on the phenomenal and more recently Guy Debord raised questions…
Article: The exploitation, repatriation, and memorialisation of human remains: An artist’s experiences
…and the ephemerality of human life. It is a commonly found motif in memento mori and vanitas paintings and sculptures. In the 2011 Tate Modern Everyday poetics retrospective exhibition of Mexican artist Gabriel Orozco, the accompanying free pamphlet described his Black kites (1997) sculpture as representing “one of Orozco’s most striking uses of a found object, in this case a human skull.”⁶ Of the many significant works in Orozco’s exhibition,…
Article: Ki te Titia Tāku Raukura: Should My Plume of Peace be Witnessed Quivering
…a feather maybe a sign or symbol of ancestral guidance, or affirmation of presence. 10. Georgina Tuari Stewart, Māori Philosophy: Indigenous thinking from Aotearoa (London: Bloomsbury Academic, 2021), 84. 11. Shawn Wilson, Research is Ceremony: Indigenous Research Methods (Halifax: Fernwood Publishing, 2008), 69. 12. Stewart, Māori Philosophy, 132. 13. A Māori understanding of an atua is a “manifestation of the environment and of the people of…
Article: Displaced. Fragments in the diaspora
…val, Bilbao International Film Festival, Durban International Film Festival, and others. He has been honored with the Audience Choice Award from the Shanghai International Film Festival and has been guest artist at multiple institutions around the world. His professional practice combines constant film production with film teaching at Syracuse University. www.alexmendezginer.com ajmendez@syr.edu…
Article: The Discursive Memory of Argentina’s Last Dictatorship in an Intelligence Archive
…nstructed, represented, or remembered in the present. Both discursive memory and public memory can be manifested in various significant forms, not just verbal. It is also important to note that the notion of public memory, encompassing commemorations, museums, or memorials, is broader than the notion of discursive memory. The notion of discursive memory emerged in France in 1981, with a publication by Jean-Jacques Courtine linked to the study of…
Article: Witness: An Autobiographical Performance
…ose memories and creating a bridge that stretches across the silence imposed by trauma to form a connection. Art is retelling—not reliving—and reduces that which is formless and overwhelming in the mind into a solid reality, communicated to and accessible by a community that listens. “Bearing witness to a trauma is, in fact, a process that includes the listener”. When that listener questions the validity of your statement, the self is brought…