Volume 2, Number 1, May 2016
The Cultures of Memory
The Cultures of Memory
Contained Memory
For items tagged with: denkmal
This article/photo essay examines Sally J. Morgan’s 2013 work, The Travails of the Bomb Aimer’s Daughter, a performance/installation that unfolded over a week at Wellington’s Performance Arcade Festival. Acting as a kind of ‘denkmal’ or commemorative provocation, the piece interacted with the audience in ways that unsettled viewers’ expectations and demanded moral choices. The presentation examines and discusses the installation’s […]