Volume 4, Number 1, February 2024
Memory: Sites, Trauma and Materiality, Memoria: Trauma, Sitios y Materialidad
Search Results
For searched item: Pass Guaranteed Quiz Accurate 1z1-084 - Oracle Database 19c Performance and Tuning Management Sample Test Online ❤️ { www.pdfvce.com } is best website to obtain ➡ 1z1-084 ️⬅️ for free download 🎍1z1-084 Study Guide
Article: Montserrat (a phono-archaeology)
…allergic, accessed September 2020, https://hyperallergic.com/587213/the-artistic-world-of-the-taino-people/. 18. Definition taken from the “Oxford English Dictionary,”, Oxford University Press, accessed October 2020, https://www.oed.com/dictionary/ hurricane_n?tab=meaning_and_use#1173882. Bibliography Boix, Maur M. What is Montserrat: A Mountain, a Sanctuary, a Monastery, a Spiritual Community. Montserrat, Cataluña: Publicacions de…
Article: Nature and Memory: accounts from sons and daughters of disappeared parents whose bodies were identified and restituted
…dition that can be traced from the Mexican Day of the Dead to magic realism, involving integration of the dead into daily life, endowing them with new depth that amplifies their existence. Conclusions Thus, nature as topos becomes a common place to meet with ancestors, enabling them to acquire agency and affect the daily lives of their sons and daughters through their presence. The different elements in these stories (fire, water, air through…
Article: Global Memoryscapes & the Plague: AIDS, Mnemonic Worldmaking, and the Transnational Archive
…hival Memory’: (Re) Situating Archives Along the Global Memoryscape,” Journal of International and Intercultural Communication 9, no. 3 (2016): 217. 14. United States Holocaust Memorial Museum, World Memory Project: https:// www.ushmm.org/online/world-memory-project/ 15. theaidsmemorial: https://www.instagram.com/theaidsmemorial/ 16. “Interview with Noerine Kaleeba,” Age of AIDS (Frontline, 2006): https://www….
Article: Artificial Memory?
…While the towering figures in Richard Taylor’s “The Scale of Our War” raised concerns for me, Kinfolk’s even more towering figure of revolutionary Toussaint Louverture fills me with a sense of hope. (see images here: https://www. guernicamag.com/a-monumental-shift/) The notion of spectacle has long been a complicated one in western culture. Plato was concerned about the reliance on the phenomenal and more recently Guy Debord raised questions…
Article: Witness: An Autobiographical Performance
…n the stand. ‘I put it to you…’ But unlike the drama of trauma, which replays itself over and over, capturing its victim in a bubble of ‘now’ with no option of being assigned to the past, a performance is something that must come to an end and disappear. “Performance’s only life is in the present”. Song combines language (the crystallisation of thought) and music (a flowing expression of emotion) to create narrative from the swirl of memory…
Article: The exploitation, repatriation, and memorialisation of human remains: An artist’s experiences
…and the ephemerality of human life. It is a commonly found motif in memento mori and vanitas paintings and sculptures. In the 2011 Tate Modern Everyday poetics retrospective exhibition of Mexican artist Gabriel Orozco, the accompanying free pamphlet described his Black kites (1997) sculpture as representing “one of Orozco’s most striking uses of a found object, in this case a human skull.”⁶ Of the many significant works in Orozco’s exhibition,…
Article: The Discursive Memory of Argentina’s Last Dictatorship in an Intelligence Archive
…eriphery movement, either between different languages or within a single language.⁹ Finally, it is worth clarifying that discursive memory functions not only in verbal signs or discourses but also in non-verbal signs, thus encompassing semiotic memory, which holds great power in certain political collectives. Central to a discourse community are its communicative routines, which contribute to its enunciative identity while forming part of the…
Article: Introduction
…in plain sight / Oculto a plena vista at the Universidad de Buenos Aires’s Cine Cosmos in Buenos Aires. Published in association with Syracuse University (US) and Universidad de Buenos Aires (ARG), Memory Connection Volume 4 comprises nine selected articles developed from papers, most of which were presented at the Memory: Sites, Trauma & Materiality / Memoria: Trauma, Sitios y Materialidad online symposium. The three articles by creative…
Article: Ki te Titia Tāku Raukura: Should My Plume of Peace be Witnessed Quivering
…ower, more focused and limited parameters.²¹ In this investigation we consider our work or our aroaro as a method to combine Indigenous-oral processes with screen-based, aural-visual approaches. This approach enables us to encompass the cave site within our aroaro prescribed by multi-dimensional, knowledge embodiment towards responding to the past, present and future, to consider our ancestors who reside with us and within us. Endnotes 1. Quote…
Article: Commemoration and Moral Choice in the Travails of the Bomb-Aimer’s Daughter
This article/photo essay examines Sally J. Morgan’s 2013 work, The Travails of the Bomb Aimer’s Daughter, a performance/installation that unfolded over a week at Wellington’s Performance Arcade Festival. Acting as a kind of ‘denkmal’ or commemorative provocation, the piece interacted with the audience in ways that unsettled viewers’ expectations and demanded moral choices. The presentation examines and discusses the installation’s development…
Article: Displaced. Fragments in the diaspora
…val, Bilbao International Film Festival, Durban International Film Festival, and others. He has been honored with the Audience Choice Award from the Shanghai International Film Festival and has been guest artist at multiple institutions around the world. His professional practice combines constant film production with film teaching at Syracuse University. www.alexmendezginer.com ajmendez@syr.edu…
Article: A Life in Diagrams (the Book): A Photo-Essay
In 1993 artist Sally J. Morgan began developing a series of performances/ installations entitled A Life in Diagrams (numbers 1–5) which were shown in developing iterations at: Dartington Hall, Devon, UK; the ICA in London; Le Belluard/Bollwerk International Festival in Fribourg Switzerland; and the Arnolfini Gallery in Bristol. Audiences entered a non-gallery, non-theatre space. There was no stage or proscenium, and the performance area was…
About
…, Wellington School of Design จC Ngจก Pae Mahutonga Professor Huhana Smith (Ngจกti Tukorehe and Ngจกti Raukawa ki te Tonga) Syracuse University, College of Visual and Performing Arts Professor Kendall Phillips, Department of Communication and Rhetorical Studies Associate Professor Sam Van Aken, School of Art Associate Professor Alex Mจฆndez Giner, Department of Film and Media Arts Professor Charles E. Morris III, Department of Communication and…
Article: A Cast of Thousands: Stela at Militärhistorisches Museum Der Bundeswehr, Dresden
In 2014, New Zealand artist, Kingsley Baird, built a temporary memorial in the German Armed Forces’ Military History Museum in Dresden. The memorial comprised two elements: a stainless steel ‘cenotaph’ and 18,000 biscuits in the shape of soldiers of different nationalities who fought in the First World War. On 12 July 2014, almost 100 years after that conflict’s beginning, Stela was formally presented for public viewing and visitors to the…
Article: Archive, Empathy, Memory: The Resurrection of Joyce Reason
…is question the investigation of personal archives and family memory intersects with considerations of public memory and produces two interlocking concerns. What is the articulacy, or otherwise, of the archival trace? And how can we know the life of another, without subsuming it into our own preoccupations and perspectives? Presented as a collage of fragments, this paper explores walking, the body, place, photography and memory in the…